World's first super predator had remarkable vision

The metre-long super predator <i>Anomalocaris</i>.
Artist's impression by Katrina Kenny/University of Adelaide.

The metre-long super predator Anomalocaris.
Artist's impression by Katrina Kenny/University of Adelaide.

Full Image (175.7K)

One of the stalked eyes of <i>Anomalocaris</i> from South Australia, and (inset) the intricate lenses preserved.
Photo by John Paterson, University of New England.

One of the stalked eyes of Anomalocaris from South Australia, and (inset) the intricate lenses preserved.
Photo by John Paterson, University of New England.

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Artist Katrina Kenny with her painting of the metre-long marine super predator <i>Anomalocaris</i>.
Image credit: Katrina Kenny/South Australian Museum/University of Adelaide.

Artist Katrina Kenny with her painting of the metre-long marine super predator Anomalocaris.
Image credit: Katrina Kenny/South Australian Museum/University of Adelaide.

Full Image (180.83K)

Thursday, 8 December 2011

South Australian Museum and University of Adelaide scientists working on fossils from Kangaroo Island have found eyes belonging to a giant 500 million-year-old marine predator that sat at the top of the earth's first food chain.

This story will be accompanied by an artist's impression of the super predator on the front cover of the 8 December 2011 issue of Nature.

Palaeontologists have discovered exceptionally preserved fossil eyes of the top predator in the Cambrian ocean from over 500 million years ago: the fearsome metre-long Anomalocaris.

The scientists show that the world's first apex predator had highly acute vision, rivalling or exceeding that of most living insects and crustaceans.

The international team behind this discovery includes two Adelaide researchers, Associate Professor Michael Lee (SA Museum and University of Adelaide - Environment Institute and School of Earth & Environmental Sciences) and Dr Jim Jago (SA Museum and UniSA), and was led by Dr John Paterson (University of New England).

The World's Oldest Apex Predator

Anomalocaris is the stuff of nightmares and sci-fi movies. It is considered to be at the top of the earliest food chains because of its large body size, formidable grasping claws at the front of its head and a circular mouth with razor-sharp serrations.

Supporting evidence of this predator's dominance includes damage to contemporaneous trilobites, and even its fossilised poo (or coprolites) containing the remains of its prey.

The discovery of its stalked eyes - showing astonishing details of its optical design - from a 515 million-year-old deposit on Kangaroo Island in South Australia now confirms it had superb vision to support its predatory lifestyle.

All The Better To See You With...

The fossils represent compound eyes - the multi-faceted variety seen in arthropods such as flies, crabs and kin - and are amongst the largest to have ever existed, with each eye up to 3 cm in length and containing over 16,000 lenses.

The number of lenses and other aspects of their optical design suggest that Anomalocaris would have seen its world with exceptional clarity whilst hunting in well-lit waters. Only a few arthropods, such as modern predatory dragonflies, have similar resolution.

The existence of highly sophisticated, visual hunters within Cambrian communities would have accelerated the predator-prey 'arms race' that began during this important phase in early animal evolution over half a billion years ago.

The discovery of powerful compound eyes in Anomalocaris confirms it is a close relative of arthropods, and has other far-reaching evolutionary implications. It demonstrates that this particular type of visual organ appeared and was elaborated upon very early during arthropod evolution, originating before other characteristic anatomical structures of this group, such as a hardened exoskeleton and walking legs.

The Artist and the Nature Cover

The striking life-size reconstruction of Anomalocaris painted by Adelaide artist Katrina Kenny was chosen to appear on the cover of Nature. With a background in ceramics, sculpture and painting, Katrina is a self-confessed eclectic with a passion for fossils. She has been honing her skills in biological illustration and reconstruction since 2009, helping to create the impressive displays in the South Australian Museum's new Biodiversity Gallery and the upcoming Journey to the Abyss. The University of Adelaide commissioned the painting.

To see a video of this work, go to: http://youtu.be/a1fNidLedEA

 

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