About the Centre
Wilto Yerlo is a teaching, research, learning, access and support centre
for Aboriginal and Torres Strait Islander students at the University of Adelaide.
This support is offered in all programs offered at North Terrace, Roseworthy,
and Waite campuses.
Adelaide Uni is in the heart of traditional Kaurna country. In the language
of the Kaurna people, Wilto Yerlo means "Sea Eagle". Wilto Yerlo is
the totem of Gladys Elphick. All significant events at Wilto Yerlo and the University
of Adelaide feature a Kaurna welcome.
History and Heritage
The predecessor of the Centre for Aboriginal Studies in Music was the 'Programme
of Training in Music for South Australian Aboriginal People', which began in
Adelaide in 1971. There were three parts to the program; the Adelaide Aboriginal
Orchestra; INMA (the Institute of Narrative and Music for Aborigines); and the
involvement of Anangu Pitjantjatjaraku musicians as teachers at the Indulkana
Inma Centre, at the University of Adelaide, and in schools within the metropolitan
area.
The Centre for Aboriginal Studies in Music (CASM), as it is now known, was
established as a separate unit within the Faculty of Music at the University
of Adelaide in 1972, and officially established as a teaching program in 1975.
When the Centre first began it was envisaged that the primary function of
the Centre would be to provide 'western-based' musical training for local Aboriginal
children, and to provide opportunities for traditionally based Anangu Pitjantjatjaraku
musicians (mainly from the Indulkana region) to teach traditional music to both
students at the Centre and to students enrolled in Faculty of Music programs.
By 1980 the programs offered at the Centre had begun to attract adult learners
and even though the teaching of orchestral instruments was still an integral
part of the CASM teaching program, adults coming into the program were becoming
increasingly interested in musical styles such as rock, country, reggae, and
blues.
By 1982 Aboriginal and Torres Strait Islander musicians from around Australia
were applying to study at the Centre, and during the 1980s the program developed
its Associate Diploma program which was formally accredited in 1989. In 1991,
as an outcome of the amalgamation of the South Australian College of Advanced
Education with the University of Adelaide, the Faculty of Music was restructured
and expanded to form the new Faculty of Performing Arts, and CASM achieved status
as one of five departments in the new faculty. In the years 1991 to 1996 CASM
continued to review and refine its program offerings and in 1996 a new era began
for CASM when it became a part of the Wilto Yerlo Aboriginal and Torres Strait
Islander Programs Unit within the University of Adelaide.
The CASM program today is a nationally focussed one which brings together
Aboriginal and Torres Strait Islander musicians from around Australia, and is
unique in Australian music education in providing university level music education
which is specifically designed to meet the learning aspirations and requirements
of Aboriginal and Torres Strait Islander musicians. Graduates from CASM program
are widely recognised for the high level of their musical skills, for their leadership
in community development and professional activity, and for their creativity
and versatility as thinkers, composers and musicians.
CASM not only contributes to many cultural events in South Australia but is
also involved in conferences, festivals and cultural events around Australia
and overseas. Staff and students are involved in research in areas such as Indigenous
and intercultural education, Indigenous music, Indigenous performance, Indigenous
composition, and Indigenous cultural maintenance and development. In 1998, CASM
upgraded its facilities to incorporate a state of the art recording facility
which aims to provide a focus for high level Indigenous recording. CASM is also
involved in many community activities through its public performances, tours
and educational workshops, and is committed through its programs and activities
to the advancement of Indigenous Australian musicians and the promotion of Indigenous
Australian music in all its diversity as a living and vibrant tradition.
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