MUSCLASS 2080 - Classical Vocal Performance Advanced 2A

North Terrace Campus - Semester 1 - 2015

This course is available BY PERMISSION ONLY. Entry will be determined on the basis of the pre-entry audition score and instrument sub-quotas. Classical Vocal Performance Advanced 2A must be taken in combination with Classical Performance Forum, Technique and Repertoire 2. Students will undertake intensive 1:1 tuition in classical voice (14 hours per semester) together with studies in German language and repertoire. Students will further develop their individual technical and musical potential, together with a mature understanding of interpretive principles and performance skills through the study of appropriate advanced repertoire and technical exercises. In consultation with their vocal teacher, students will also undertake an extended study consisting of either, a discreet set of works designed specifically for technical development, or an extended work. Students are also expected to undertake a minimum of 12 hours per week of structured individual practice as designated by their vocal teacher including repertoire study and a wide variety of relevant technical exercises. Students will also study the basic grammatical concepts of language and learn to use the International Phonetic Alphabet (IPA). Through the study of appropriate repertoire and technical exercises, students will develop their individual vocal potential, together with an understanding of interpretive principles and performance skills.

  • General Course Information
    Course Details
    Course Code MUSCLASS 2080
    Course Classical Vocal Performance Advanced 2A
    Coordinating Unit Elder Conservatorium of Music
    Term Semester 1
    Level Undergraduate
    Location/s North Terrace Campus
    Units 3
    Contact Up to 4 hours per week
    Available for Study Abroad and Exchange N
    Prerequisites MUSCLASS 1081 or outstanding achievement in MUSCLASS 1052
    Corequisites MUSCLASS 2100A
    Incompatible MUSCLASS 2051, MUSCLASS 2090A
    Restrictions BMus (Classical Performance) students only. Available BY PERMISSION ONLY
    Course Description This course is available BY PERMISSION ONLY. Entry will be determined on the basis of the pre-entry audition score and instrument sub-quotas. Classical Vocal Performance Advanced 2A must be taken in combination with Classical Performance Forum, Technique and Repertoire 2. Students will undertake intensive 1:1 tuition in classical voice (14 hours per semester) together with studies in German language and repertoire. Students will further develop their individual technical and musical potential, together with a mature understanding of interpretive principles and performance skills through the study of appropriate advanced repertoire and technical exercises. In consultation with their vocal teacher, students will also undertake an extended study consisting of either, a discreet set of works designed specifically for technical development, or an extended work. Students are also expected to undertake a minimum of 12 hours per week of structured individual practice as designated by their vocal teacher including repertoire study and a wide variety of relevant technical exercises. Students will also study the basic grammatical concepts of language and learn to use the International Phonetic Alphabet (IPA). Through the study of appropriate repertoire and technical exercises, students will develop their individual vocal potential, together with an understanding of interpretive principles and performance skills.
    Course Staff

    Course Coordinator: Associate Professor Carl Crossin OAM

    Course Timetable

    The full timetable of all activities for this course can be accessed from Course Planner.

  • Learning Outcomes
    Course Learning Outcomes

    On successful completion of this course students will be able to:

    Display advanced musical performance skills that display accuracy, fluency, technical skills and a mature expressive sense along with a strong conceptual and interpretative understanding of the chosen and prescribed works.

    Develop effective practising strategies which arise from independent, imaginative and creative approaches to problem solving including the use of contemporary technologies.

    Develop critical understanding of own and others’ musical performances in relation to the standards required for professional endeavour.

    Understand the grammatical structure of language; the general principles of Diction; use of the International Phonetic Alphabet (IPA).

    Understand German diction for singing, use correct pronunciation and translate German into English with the use of a dictionary.

    University Graduate Attributes

    This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

    University Graduate Attribute Course Learning Outcome(s)
    Knowledge and understanding of the content and techniques of a chosen discipline at advanced levels that are internationally recognised. 1, 3, 4, 5
    The ability to locate, analyse, evaluate and synthesise information from a wide variety of sources in a planned and timely manner. 1, 2, 3, 4, 5
    An ability to apply effective, creative and innovative solutions, both independently and cooperatively, to current and future problems. 2, 5
    A proficiency in the appropriate use of contemporary technologies. 2
    A commitment to continuous learning and the capacity to maintain intellectual curiosity throughout life. 1, 2, 3
    A commitment to the highest standards of professional endeavour and the ability to take a leadership role in the community. 1
  • Learning Resources
    Required Resources

    Scores of repertoire Technical workbooks as required by voice teacher (Elder Music Library houses an excellent collection of scores available for loan to students).

    Engagement of the services of a professional accompanist for lessons as needed, performance examinations and other performances.

    A good quality recording device to record lessons, practice and performances on a regular basis.

    Collins German Dictionary and Grammar -Publisher: Collins

    Suverkrop, B: IPA Source; Internet Resource

    Recommended Resources

    Adams, David, “A Handbook of Diction for Singers”,OUP.

    Online Learning

    Regular listening to performances of works being studied. Students can listen to works through the library's Naxos subscription.

    Relevant information and materials will be placed on MyUni – see “My Performance Classical”.

  • Learning & Teaching Activities
    Learning & Teaching Modes
    Individual tuition lies at the core of developing advanced performing skills. The instrumental/vocal teacher monitors each student’s progress, diagnoses technical problems and suggests strategies for independent practice.
    Workload

    The information below is provided as a guide to assist students in engaging appropriately with the course requirements.

    WORKLOAD

    TOTAL HOURS

    1 x 2 hours per week German performance class

    24 hours per semester

    1 x 1 hour per week German language class

    12 hours per semester

    1 x 1 hour per week 1:1 vocal lesson

    14 hours per semester

    Individual practice, 8.8 hours per week

    106 hours per semester

     

     

     

    Total: = 156 hours per semester

    Learning Activities Summary

    Students are expected to be punctual and prepared for each 1:1 lesson. The expectation is for students to develop private structured learning skills to enable them to undertake preparation and practice of all repertoire, technical exercises and other material assigned by their vocal teacher. Students are expected to research the background of the composer and pieces being studied.

    Journal – Voice students are expected to complete practice journal entries on a weekly basis, to be submitted to their vocal teacher at lessons.

    Specific Course Requirements
    • Students are expected to maintain 100% attendance at one to one lessons. Penalties apply if attendance requirement is not met.
    • At each lesson, both the staff member and the student must sign the roll sheet, indicating the date and length of the lesson.
    • Bachelor of Music students may need to be available outside the formally designated teaching weeks in order to accommodate the full quota of lessons.
    • Students are expected to research the background of the composer and pieces being studied.
    • Students may need to regularly book practice facilities in order to meet the requirements of this course.
    • Depending on practical specialisation, some students will need to engage the services of a professional accompanist for lessons, performances and examinations.
    Small Group Discovery Experience

    The schedule of 1:1 individual lessons enables technical and musical issues to be explored, and short-term and long-term goals to be designed in order to target individual needs.

  • Assessment

    The University's policy on Assessment for Coursework Programs is based on the following four principles:

    1. Assessment must encourage and reinforce learning.
    2. Assessment must enable robust and fair judgements about student performance.
    3. Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
    4. Assessment must maintain academic standards.

    Assessment Summary

    ASSESSMENT TASK

    TASK TYPE

    WEIGHTING

    COURSE LEARNING OUTCOME(S)

    Week 6 assessment in 1:1 lesson

    Summative

    10%

    1, 2, 3

    Teacher assessment

    Formative and Summative

    10%

    1, 2, 3

    Professional portfolio

    Summative

    10%

    3

    30 minute technical/performance examination (or equivalent)

    Summative

    60%

    1, 2

    Demonstration of German language requirements

    Summative

    10%

    4, 5

    Assessment Related Requirements

    Students are expected to maintain 100% attendance at one to one lessons.

    Assessment Detail
    See Assessment Summary above.
    Submission

    Professional portfolio to be submitted to Head of Performance at the beginning of Week 10. Performance examinations will be scheduled by the Conservatorium Office and will take place during the Examination period.

    Course Grading

    Grades for your performance in this course will be awarded in accordance with the following scheme:

    M10 (Coursework Mark Scheme)
    Grade Mark Description
    FNS   Fail No Submission
    F 1-49 Fail
    P 50-64 Pass
    C 65-74 Credit
    D 75-84 Distinction
    HD 85-100 High Distinction
    CN   Continuing
    NFE   No Formal Examination
    RP   Result Pending

    Further details of the grades/results can be obtained from Examinations.

    Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

    Final results for this course will be made available through Access Adelaide.

  • Student Feedback

    The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

    SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.

  • Student Support
  • Policies & Guidelines
  • Fraud Awareness

    Students are reminded that in order to maintain the academic integrity of all programs and courses, the university has a zero-tolerance approach to students offering money or significant value goods or services to any staff member who is involved in their teaching or assessment. Students offering lecturers or tutors or professional staff anything more than a small token of appreciation is totally unacceptable, in any circumstances. Staff members are obliged to report all such incidents to their supervisor/manager, who will refer them for action under the university's student’s disciplinary procedures.

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