Dr Jula Szuster
|Position||Visiting Research Fellow|
|Org Unit||The University of Adelaide|
1984 Ph.D. in Musicology, University of Adelaide
1971 B.A. (Hons) in Musicology, University of Adelaide
1970 B.A. University of Adelaide
1970 Diploma of Teaching (Secondary), Adelaide Teachers College
Seventeenth Century Italian music, Music in colonial Australia
To appear: Alessandro Stradella Cantate Morali Edizione Nazionale dell’Opera Omnia di Alessandro Stradella Vol 21 (Pisa: Edizioni ETS).
2018: Review of Diversity in Australia’s Music: Themes Past, Present, and for the Future. Dotottya Fabian and John Napier, eds. Newcastle upon Tyne: Cambridge Scholars Publishing, 2018. Context 43 (2018): 88-92.
2018:. “The performance history of Bach’s St Matthew Passion in South Australia”. In J.S. Bach in Australia: Studies in Performance and Reception. Melbourne: Lyrebird Press. 2018.
2017: “Transposing Musicology: An Essay in Honour of Elizabeth Wood”. Review article by Sally Macarthur and Julja Szuster. Musicology Australia, 39/1 (July 2017) 46-64.
2017: “Adelaide”. Major update of the article by Andrew McCredie MGG 2 (1994). Die Musik in Geschichte und Gegenwart. (Bärenreiter and Metzler) www.mgg-online.com
2016: “Music of and at the Time of the Jubilee Exhibition”. in Adelaide Jubilee International Exhibition and Building. eds. Christine Garnaut, Bridget Jolly and Julie Collins. (Sydney: Crossing Press, 2016)
2016: “George Loder’s Contribution to Music Life in Colonial Australia”, in Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family. ed. Nicholas Temperley (Woodbridge, Suffolk and Rochester, New York: Boydell & Brewer, 2016)
2015: “The Injustice of the 1914 Assault on Hermann Heinicke”. Journal of the Historical Society of South Australia, 43 (2015) 99-110.
2014: “Music”, article in eEncyclopedia of Women and Leadership in Twentieth-Century Australia, May 2014.
2012: “Hermann Heinicke, a Champion of Professional Orchestral Music in 1890s Adelaide: A Contemporary Counterpart to Marshall-Hall in Melbourne” in Marshall-Hall’s Melbourne: Music, Art and Controversy, 1891-1915. eds. Therese Radic and Suzanne Robinson. (Melbourne: Australian Scholarly Publishing, 2012) 108-122.
1999: “Assessment in Music” Sounds Australian 53(1999) 4-5
1997: Articles on the Adelaide Symphony Orchestra, Adelaide Festival, State Opera of South Australia and the Adelaide Aboriginal Orchestra in the Oxford Companion to Australian Music (Melbourne: OUP, 1997)
1994: “Dollars and Sense: Music Funding in South Australia” Sounds Australian 43 (Spring 1994) 29-30
1990: “Barbara Strozzi: the First Professional Woman Composer” 24 Hours (October 1990)
1988: Chapter of “Concert Life in Adelaide, 1834 - 1986” in From Colonel Light into the Footlights: the Performing Arts in South Australia from 1836 to the Present (Adelaide: Pagel, 1988)
1980: Article on G.W.L. Marshall-Hall in the New Grove Dictionary of Music and Musicians (London: Macmillan, 1980)
Musicological Society of Australia
Amercan Musicological Society
Life Member of the Australian College of Educators (MACE)
Managing Editor of Journal of Music Research Online (2009 - 2020)
Board member, Adelaide Chamber Singers (2018 - 2020)
Board member, Chamber Music Adelaide (2020)
Board member and Deputy Chair, Adelaide Youth Orchestra (2008 - 2015)
Member and Chair, Fulbright Scholarships, South Australian Selection Committee (1999 - 2004)
Helpmann Academy, Working Party (1992 - 1998)
Panel Member, Australian Music Centre/APRA National Art Music Awards (2007, 2014, 2015, 2017 and 2018)
Member of the National Committee, and Chair of the SA Selection Committee, Australian Music Centre Sounds Australian Awards (1997 - 2006)
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Entry last updated: Wednesday, 6 May 2020
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