Dr Lisa Mansfield
|Position||Head of Art History|
|Org Unit||Art History|
|Telephone||+61 8 8313 5755|
Lisa Mansfield is an art historian specialising in the art and material culture of Northern Europe (1400-1600). Her primary areas of research include Renaissance portraiture, images of warfare, intellectual and material intersections between art, nature, and science, and representations of gender and violence in early modern Europe. She is a passionate advocate for visual literacy as a practical asset and transformative life skill for navigating the complex visual culture of the twenty-first century.
Ph.D. Art History (University of Melbourne, 2005)
B.A. (Hons Art History - First Class - La Trobe University, Bundoora Campus, Melbourne, 1998)
Academic leadership - University of Adelaide
Head of Art History (2015 semester 2, 2018-2021)
Postgraduate Coordinator HDRs Art History, Asian Studies, Classics and Archaeology, Linguistics (2018 Semester 1)
Acting Coordinator Postgraduate Coursework Program in Art History (2015, 2012, 2008 semester 2)
Postgraduate Coordinator HDRs in Art History, History, Food Studies (2015 semester 2, 2011)
Discipline Advisor (2015-ongoing)
Professional affiliations (membership)
AAANZ (Art Association of Australia and New Zealand)
ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies)
HNA (Historians of Netherlandish Art)
RSA (Renaissance Society of America)
Before taking up her position at the University of Adelaide in mid-2008, Lisa was a tutor and guest lecturer in Art History at the University of Melbourne (1998-2005). She established the undergraduate program in Art History at the University of Adelaide in 2009.
2009: Certificate for Outstanding Student Feedback in Teaching and Learning, University of Adelaide
Undergraduate and Graduate Certificate/Graduate Diploma courses
Available in 2021:
- ARTH 7001OL Introduction to Art History and Visual Culture (S1 online - Dr Melanie Cooper)
- ARTH 7004OL Art in the Age of Enlightenment (S1 online - Dr Melanie Cooper)
- ARTH 3021OL The Art and Science of Leonardo da Vinci (online S2)
- ARTH 7021OL The Art and Science of Leonardo da Vinci (online S2)
- ARTH 3002 Digital Exhibition Project (Major Capstone online S2)
- ARTH 7003OL Digital Exhibition Project (online S2)
Unavailable in 2021:
ARTH 1001 Introduction to Art History and Visual Culture
ARTH 7001 Introduction to Art History and Visual Culture
ARTH 2000 Renaissance Art in Northern Europe
ARTH 7019 Renaissance Art in Northern Europe
ARTH 7019OL Renaissance Art in Northern Europe (online)
ARTH 3001 Art Censorship
ARTH 7020 Art Censorship
ARTH 7020OL Art Censorship (online)
ARTH 2004OL Contemporary Australian Art (online)
ARTH 7016OL Contemporary Australian Art (online)
ARTH 3003 Art in the Age of Enlightenment
ARTH 7004 Art in the Age of Englightenment
ARTH 7003 Digital Exhibition Project
ARTH 7002OL The Work of Art in Context (online) - Graduate Diploma only
ARTH 5204EX European Art: Renaissance to Revolutions (online)
ARTH 5217EX Portraiture and Power (online)
For the full list of undergraduate courses included in the Art History and Visual Culture Major/Minor refer to the Faculty of Arts: www.adelaide.edu.au/current-students/undergrad/majorsminor
In addition, Lisa has coordinated the MA Curatorial and Museum Studies Exhibition Project (ARTH 5523 in 2008, 2015), MA Art History research seminar (in 2008, 2012, 2015), and supervised undergraduate projects and placements in the ARTS 2001 Arts Internship at various cultural organisations across Adelaide: Nexus Multicultural Arts Centre; Tandanya National Aboriginal Cultural Institute Inc.; National Trust of South Australia, Ayres House and Carrick Hill; Mitcham City Council; Yellow Door Studio (2009-2015). She has also previously supervised Honours theses focused on Art History topics in the Department of History.
Since 2013 Lisa has developed expertise in teaching Art History courses online. She participated in the 'Getting a MUVE on: Developing Web 2.0 Curricula in the Humanities' pilot project in 2011, which used the virtual world 'Second Life' in formative and summative assessment tasks for student-created avatars and virtual gallery exhibitions.
Guest lectures and seminars
ARTS 2002 Festival of Arts, tutor (2019)
ARTS 1007 The Enquiring Mind: Freedom and Media, tutor (2017)
ARTS 1007 The Enquiring Mind: Arts of Engagement, lecture: 'Freedom of Expression: Art and War' (2015, 2014)
Lisa has contributed first-year guest lectures and seminars on topics across the Humanites curriculum at the University of Adelaide ranging from Reformation art and visual culture, how to use art and visual culture as historical evidence, French Impressionism, Renaissance art, and photography for History, English, and the Creative Arts.
HDR supervision (MPhil and PhD)
Alexandra Mowbray, "The Body in Contemporary Art and Digital Media" (PhD) - Principal Supervisor
Melanie Cooper, "Beings of Nature and Reason: Mythological Masculinities in Early 18th-Century French Art and Visual Culture" (PhD) - Principal Supervisor
Lisa has also co-supervised PhD dissertations in the areas of English, French Studies, History, Philosophy, and Music at the University of Adelaide.
Primary research project (ARC Discovery Project 2018-2020)
Lisa was a Chief Investigator on the collaborative ARC (Australian Research Council) Discovery Project "The Italian Wars, 1494-1559" DP180102412 with Susan Broomhall (UWA) and Carolyn James (Monash).
Secondary research project
The initial phase of Lisa's second major research project (examining the portraits of the sixteenth-century Dutch artist and polymath, Jan van Scorel, was supported by a RSA (Renaissance Society of America) Kress Fellowship at the CRRS (Centre for Reformation and Renaissance Studies), Victoria College, University of Toronto, in January 2018.
Northern European art (1400-1700) and Italian Renaissance art, with a focus on the areas of:
- Portraiture, especially image-making practices across the courts of sixteenth-century Europe
- The impact of warfare on Renaissance art and artists, including innovations in military display and weapon technologies
- Polymathic creativity, exploring the integration between art and science, emotional intelligence, creative mentoring or nature versus nurture, and design experimentation or the art of the unfinished
- Materiality, particularly the material agency of affective modes of drawing
2018: "The Ethical Artist: Erasmian Humanism and Affective Identity in Jan van Scorel's Portraits." Centre for Reformation and Renaissance Studies: Friday Workshop, 26 January, Victoria University, University of Toronto.
2016: "Francis I and His Northern Image-Makers." International colloquium: Francis I and the Artists of the North (1515-1547). Brussels, Royal Institute for Cultural Heritage (KIK-IRPA), 25-26 February. Organised by the Royal Academy of Archaeology, Belgium, the Comité belge d'Histoire de l'Art, the KIK-IRPA, and the University of Liege. Sponsored by the Comite international d'histoire de 'art (CIHA).
2012: "The Representation of Artefacts in Second Life: Interaction, Imagination, Interpretation, Innovation." The Challenge of the Object/Die Herausforderung des Objekts, 33rd Congress of the International Committee of the History of Art, 15-20 July, Section 11: The Artefact and its Representations, Nuremberg.
2021: "The Dynamics of Cultural Transfer: Swiss Artist Mercenaries in Northern Italy." Art Association of Australia and New Zealand (AAANZ) Annual Conference, The University of Sydney (virtual program). 8-10 December.
2020 - Invited Speaker: "Leonardo's Masterpieces: Painting, Portraiture, Polymathy" The Turbulent Mind of Leonardo da Vinci. Summer Short Course (Community Engagement Programs). The University of Melbourne, 20-23 January.
2019: Session Convenor - Art and War: Creativity and Conflict in Early Modern Europe. AAANZ Annual Conference. University of Auckland, 3-6 December. Paper title: "Drawn from the Italian Wars: Encounters with violent men and dangerous women on and off the battlefield - Urs Graf."
2019: "Artist-Mercenaries of the Italian Wars (1494-1559): Urs Graf of Basel." Art History Research Seminar Series, University of Adelaide, Friday 26 April.
2019 - Invited Speaker: "Rethinking Urs Graf's Representations of Warriors, Wives, and Whores in the Italian Wars (1494-1559)." Agents in Times of War - Italy, 1500-1530 (workshop), University of Sydney, Friday 12 April.
2019: "Soldiers of Fortune: Artist-Mercenaries of the Italian Wars (1494-1559)." ANZAMEMS (Australian and New Zealand Association of Medieval and Early Modern Studies), 12th Biennial Conference, University of Sydney, 5-8 February.
2017 - Invited Speaker: "Artifice and Affect in Renaissance Portraiture: Poses, Passions, and Amorous Gazing at the Court of Francis I." Art and Affect. Meanings Program Collaboratory. The University of Queensland Node of the ARC Centre of Excellence for the History of Emotions.
Grants, fellowships, awards
2018-2020: ARC Discovery Project (Category 1) "The Italian Wars, 1494-1559", with Susan Broomhall (UWA) and Carolyn James (Monash).
2017: Renaissance Society of America (RSA), Samuel H. Kress Fellowship for Art History, Centre for Reformation and Renaissance Studies (CRRS), University of Toronto.
2012: The Ian Potter Foundation, Overseas travel/conference attendance.
2010: University of Adelaide, 'Art History Online', University of Adelaide, C. Speck and L. Mansfield, $14,000.
2009: University of Adelaide Learning and Teaching, 'Creating a Virtual Gallery', C. Speck and L. Mansfield, $20,000.
2001: University of Melbourne, Graduate Research in Arts Travel Scheme (awarded to undertake research in France and the United Kingdom).
1998: University of Melbourne, Australian Postgraduate Research Award (with stipend)
2016: Representations of Renaissance Monarchy: Francis I and the image-makers. Manchester: Manchester University Press: http://www.manchesteruniversitypress.co.uk/9780719088711
"Representations of Renaissance Monarchy is a welcome contribution to French Renaissance and European court studies. Mansfield's writing is engaging and lucid, making the book a readily accessible resource for students at all levels in the disciplines of both history and art history, particularly those studying the French court. The book is impressively researched and the extensive footnotes and bibliography will be a valuable tool for students and specialists alike."
Reviewed in Sixteenth Century Journal by: Lisa Andersen, University of British Columbia, Vancouver, Canada.
2022:"Portraiture" In Early Modern Court Culture, ed. Erin Griffey (London: Routledge), Chapter 20: 309-324.
2020: "Mary Beale: Pioneer of Portraiture." In She Persists: Perspectives on Women in Art & Design, eds. Annika Aitken, Isobel Crombie, Megan Patty, Maria Quirk, Myles Russell-Cook (Melbourne: National Gallery of Victoria), 18-25.
2019: "Lustrous Virtue: Eleanor of Austria's Jewels and Gems as Composite Cultural Identity and Affective Maternal Agency." In Sartorial Politics in Early Modern Europe: Fashioning Women, ed. Erin Griffey (Amsterdam: Amsterdam University Press), 93-114.
2018: "Portraits of Eleanor of Austria: From Invisible to Inimitible French Queen Consort." In Women and Power at the French Court, 1483-1563, ed. Susan Broomhall (Amsterdam: Amsterdam University Press), 175-207. OPEN ACCESS
2017: "The Grand Design of Francis I and His Northern Image-Makers: Jan van Scorel." In Arts et Artistes du Nord a la cour de Francois Ier, eds. Laure Fagnart and Isabelle Lecocq (Paris: Picard), 187-201.
2015: "Face to Face with the 'Flanders Mare': Fama and Hans Holbein the Younger's Portrait of Anne of Cleves." In Fama and Her Sisters: Gossip and Rumour in Early Modern Europe, ed. Claire I. Walker and Heather Kerr (Turnhout: Brepols), 115-35.
2008: "The Art of Conjugal Discord: A Satirical Double Portrait of Francis I and Eleanor of Austria, c. 1530-35." In Practices of Gender in Late Medieval and Early Modern Europe, ed. Peter Sherlock and Megan Cassidy-Welch (Turnhout: Brepols), 117-35.
2019: Barbour, Kim and Lisa Mansfield, "Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice." TDR/The Drama Review 63:1 (Spring 2019), 125-40.
2013: 'The Representation of Artefacts in Second Life: Interaction, Imagination, Interpretation, Innovation.' In The Challenge of the Object/Die Herausforderung des Objekts: Conference Proceedings, ed. Ulrich Grossmann and Petra Krutisch (4 vols, Nuremberg: Verlag des Germanischen Nationalmuseums), vol. 1.
2019: Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures, ed. Karl A.E. Enenkel and Christine Gottler (Leiden; Boston: Brill, 2018) in Emotions: History, Culture, Society 3: 310-311.
2009: Making Nature: Masters of European Landscape, ed. Jane Messenger. Adelaide: Art Gallery of South Australia (three catalogue entries on Dutch seventeenth-century landscape paintings by Salomon van Ruysdael and Adrian Verboom).
2020: "Why the long faces?" The Adelaide Review #483. By Walter Marsh (27 May).
2020: "Mary Beale." ABC Radio (Melbourne 774): Afternoons with Jacinta Parsons (11 May).
2020: "Mary Beale: Pioneer of Portraiture." NGV Channel: LISTEN
2015: 'Virtual Worlds: A Duel with Identity.' Omission Magazine, Issue Two: www.omissionmagazine.com/magazine/issue-two
2010: 'On Portraiture.' Arts and About, Radio Adelaide.
Categories Arts & Culture Expertise Northern Renaissance art and visual culture; portraiture and self-portraiture; representations of the body from Renaissance to contemporary art; past and present art censorship and iconoclasm; avatar image and identity in virtual environments. Notes PhD Art History University of Melbourne; Member of Historians of Netherlandish Art (HNA) and Art Association of Australia and New Zealand (AAANZ).
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Entry last updated: Sunday, 26 Sep 2021
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