- Patron: Professor J.M. Coetzee (2011-)
Professor J.M. Coetzee
A novelist and literary critic as well as a translator, J. M. Coetzee has won many awards throughout his career. His novel Waiting for the Barbarians was awarded the James Tait Black Memorial Prize and the Geoffrey Faber Memorial Prize, and he is three-times winner of the CNA Prize. Age of Iron was awarded the Sunday Express Book of the Year award, and The Master of Petersburg was awarded the Irish Times International Fiction Prize in 1995. He has also won the French Prix Femina Étranger, the Commonwealth Writers' Prize, and the 1987 Jerusalem Prize for the Freedom of the Individual in Society. He was the first author to be awarded the Booker Prize twice: for Life & Times of Michael K (1983) and for Disgrace (1999).
In 2003 Coetzee received the Nobel Prize in Literature, and in 2005 was awarded the Order of Mapungubwe (gold class) by the South African government for his 'exceptional contribution in the field of literature and for putting South Africa on the world stage.' J.M. Coetzee is a Professor of Literature at the University of Adelaide.
- Director: Professor Jennifer Rutherford (2015- )
Professor Jennifer Rutherford
BiographyJennifer Rutherford is an interdisciplinary scholar working broadly in the field of psycho-social poetics. Her works and research interests explore narrative, memory and place-making, the slowness of cultures and subjects in times of great change, the way individuals and communities dwell in and through the traumas that shape them, and the role that artists and writers play as conduits for change. Psychoanalysis informs much of what she does, as does the troubled history of colonial race-relations.
Jennifer holds undergraduate degrees in sociology and social anthropology from Newcastle and Macquarie Universities, a DEA in the Sciences of Language from the EHESS Paris, a PhD in Sociology from UNSW and she trained in psychoanalysis with the Ecole de la Cause Freudienne. She has held posts teaching literature, creative writing, cultural studies and social theory at universities including the Australian National University, the University of Melbourne and Macquarie University. Jennifer has held research fellowships at the Universities of Sydney and Macquarie and most recently served as the foundation Director of the Hawke European Union Centre for Mobilities, Migrations and Cultural Transformations at the University of South Australia.
Key critical works include The Gauche Intruder: Freud, Lacan and the White Australian Fantasy (MUP), Zombies (Routledge), Ordinary People (Documentary: Film Australia), The Poetics of Australian Space (with Barbara Holloway, UWA Press). Curated events/exhibitions include The Poetics of Australian Space (with Lisa Slater, Art Gallery of NSW), Traverses: J.M. Coetzee in the World (Kerry Packer Civic Gallery) and The Future of the Book (with Daniel Chafee, SASA Gallery). Forthcoming works include Melancholy Migrations: Journeying with the Negative (with Brian Castro, Giramondo) and Traverses: J.M. Coetzee in the World; a mobile app (with Lisa Harms). Jennifer is currently working on an Encyclopedia of Lost Things.
- Professor Brian Castro (2011-)
Professor Brian Castro
(Brian was Co-Director of the Centre in 2011-2012 and Director in 2013-2014)
Brian Castro was educated at the University of Sydney and has worked in Australian, French and Hong Kong universities as a teacher and writer. He is the author of ten novels and a volume of essays on writing and culture.
His novels have won a number of state and national prizes including the Patrick White Literary Award, the Australian/Vogel Literary Award, The Age Fiction Prize, the National Book Council Prize for Fiction, four Victorian Premier's awards, two NSW Premier's awards and the Queensland Premier's Award for Fiction. He has delivered keynote addresses at major conferences in Shanghai, Vienna, Paris, Toulouse, Hong Kong and Kyoto. He has been a Literature Board member on the Australia Council.
For many years he was the literary reviewer for Asiaweek magazine. In 2006 he held the position of Macgeorge Fellow at the University of Melbourne. In 2007-8 he was the Professorial Research Fellow in Creative Writing at the University of Melbourne. He is currently on the management committee of Creative Writing at the University of Adelaide.
- Professor Jennie Shaw (2013-)
Professor Jenny Shaw
Professor Jennie Shaw is Executive Dean of the Faculty of Arts at the University of Adelaide.
Jennie's research focuses on the Second Viennese School, music copyright and moral rights, and performance studies. Publications include "'The Republic of the Mind': Politics, the Arts, and Ideas in Schoenberg's Post-War Projects," in Music, Theatre and Politics in Germany, 1848 to the Third Reich, ed. Nikolaus Bacht (Ashgate, 2006) and two chapters in The Cambridge Companion to Schoenberg (2010), which she co-edited with Joseph Auner. Her PhD dissertation (Stony Brook, 2002) focused on the music and aesthetic of composer Arnold Schoenberg, 1914-1923. She has also written on 19th- and 20th-century opera and theatre in Australia and has lectured in the areas of music history (20th-century Western music history in general including Schoenberg, Berg, Webern, Messiaen, Debussy, Boulez, Elliott Carter in particular), music theory (twelve-tone and atonal music history and theory, tonal theory, feminism and music theory, androgyny, gender studies and music theory), and law (contract law, music copyright and law, moral rights, performers' and composers' rights and law).
Shaw has given keynotes on Schoenberg, sketch studies, the state of creative research recognition and music funding in Australia, and performance art, music and other creative practices as research. She is currently a contributing co-editor of a book on music and philosophy being prepared by Dr Sally Macarthur (University of Western Sydney) in collaboration with Professor Judith Lochhead (Stony Brook University).Staff Directory
- Professor Nicholas Jose (2011-)
Professor Nicholas Jose
Nicholas Jose is a novelist, essayist and playwright. After gaining his doctorate at Oxford University, he taught in the Department of English at the ANU 1978-1985. His monograph Ideas of the Restoration in English Literature was published in 1984.
Professor Jose taught in China 1986-87, and served as Cultural Counsellor in the Australian Embassy Beijing 1987-1990. A full-time writer from 1991, he resumed his academic career as Chair of Creative Writing at Adelaide University [2005-2008]. A past president of International PEN Sydney, he is general editor of the Macquarie PEN Anthology of Australian Literature (also published as The Literature of Australia).
He was Visiting Chair of Australian Studies at Harvard University 2009-2010 and taught there again in 2011. He is Adjunct Professor with the Writing and Society Research Centre at the University of Western Sydney, and Professor of English and Creative Writing in the School of Humanities at The University of Adelaide.Publications Staff Directory Website
- Ms Jill Jones (2011-)
Ms Jill Jones
Jill Jones is an Australian poet who has published seven full-length books of poetry including Breaking the Days, 2015; The Beautiful Anxiety, 2014; Ash is Here, So are Stars, 2012; Dark Bright Doors, 2010; Broken/Open, 2005; Screens Jets Heaven: New and Selected Poems, 2002; The Book of Possibilities, 1997; Flagging Down Time, 1993; and The Mask and the Jagged Star, 1992. She has also published a number of chapbooks including Senses Working Out, 2012, Speak Which, published in the US in 2007, and Struggle and Radiance: Ten Commentaries, published in Ireland in 2004.
She has been an invited guest at most of the major literary festivals in Australia as well as poetry festivals in Canada and the Czech Republic and has appeared as a featured reader in events in the US, UK and NZ. Her major awards include the Victorian Premier's Literary Award 2015, the Kenneth Slessor Poetry Prize 2003 for Screens Jets Heaven, and the Mary Gilmore Award 1993 for The Mask and the Jagged Star. She was also awarded the Booranga Prize for Poetry by Charles Sturt University in 2007. Her books have also been shortlisted in the Kenneth Slessor Poetry Prize (twice), The Age Book of the Year Award, the Adelaide Festival Literary Awards and the National Book Council ‘Banjo' Award. Her work is represented in a number of major anthologies including the Macquarie PEN Anthology of Australian Literature, The Penguin Anthology of Australian Poetry, and Over There - Poems from Singapore and Australia. Her poems have been translated into Chinese, Dutch, French, Italian, Czech and Spanish. She edited, with Michael Farrell, Out of the Box: Contemporary Australian Gay and Lesbian Poets.
She has collaborated with photographer Annette Willis, artist Bruno Leti, artist and poet Angela Gardner, and other visual and sound artists on a number of multi-media projects, which have been presented at various festivals and events in Australia, NZ and the UK. She has been a film reviewer, journalist, book editor and arts administrator. For seven years she was Program Manager for the Literature Board of the Australia Council for the Arts.Publications Staff Directory Website
- Mr Stephen Whittington (2011-)
Mr Stephen Whittington
Stephen Whittington is an Australian composer, pianist, writer and music critic. He is currently Head of Studies, Sonic Arts at the Elder Conservatorium of Music, University of Adelaide.
As a pianist he has appeared in recitals and at festivals in Australia, the United States, China, South Korea, Sweden, France, Austria, Italy and Great Britain, and his compositions have been widely performed. He has a particular interest in the relationship between music and other art forms. He premiered his one-man multimedia show The Last Meeting of the Satie Society at the Adelaide Festival in March 2000. Mad Dogs and Surrealists was created for the Art Gallery of SA in 2004; in 2006 he premiered Interior Voice: Music and Rodin, also for the Art Gallery of SA. Stephen appeared with Ensemble Offspring at the Sydney Opera House Studio for the 2006 Sydney International Film Festival in Surreal Interlude, playing live music for films by Luis Buñuel, René Clair, Jean Vigo and Jean Genet. At the 2009 Adelaide International Film Festival he presented Rhythmus 09, a program of music for silent movies by artists (including Marcel Duchamp and Fernand Leger).
He was composer and artist-in- residence at the Printemps Musical d'Annecy (France) in 2010. At the 2011 Adelaide International Film Festival he presented The Music of Light, an exploration of the relationship between music and the films of Stan Brakhage. For the 2012 Adelaide Festival he performed with tenor Robert Macfarlane in the critically acclaimed recital Divine Madness, which centred on the poetry of Friedrich Hölderlin. With the assistance of a grant from the Bank of Tokyo-Mitsubishi Travel Fund, Stephen spent May-July 2012 in Kyoto, Japan, studying the relationship between Japanese garden design and music. In 2014 he travelled to China with the Australian String Quartet to give a series of concerts and MasterClasses.
On September 5, 2012, he directed John Cage Day, a commemoration of the 100th anniversary of the birth of American composer and interdisciplinary artist John Cage, which included Stephen's 8-hour long performance of ASLSP (As Slow as Possible) on the Elder Hall organ. With the Australian String Quartet he presented Infinite Horizons of Sound at the Art Gallery of South Australia, exploring connections between music and the paintings of Fred Williams. In November 2012 he returned to France as artist-in-residence at the Université Paul Valéry in Montpellier.Publications & Compositions Staff Directory
- Dr Anna Goldsworthy (2011-)
Dr Anna Goldsworthy
Dr Anna Goldsworthy is an Australian classical pianist and writer. Described by The Australian as a ‘musical ambassador', her creative career straddles the fields of music and literature. Her memoir Piano Lessons was released in Australia [Black Inc, 2009], in the US (St Martin's Press: Macmillan,2010) and in Korea, and awarded Newcomer of the Year at the 2010 Australian Book Industry Awards. Anna's acclaimed stage adaptation of Piano Lessons, commissioned for the Queensland Music Festival, was nominated for a Matilda Award. The CD of Piano Lessons is available on the ABC Classics label.
Anna has performed nationally and internationally as a piano soloist, and is a founding member of The Seraphim Trio. She is Artistic Director of the Port Fairy Spring Music Festival, Kenneth Moore Memorial Music Scholar at Janet Clarke Hall at the University of Melbourne, and cultural critic for The Monthly. Anna records for the ABC Classics label, and her most recent CD is Trout, recorded with Seraphim Trio, and released in February 2012 by ABC Classics.
In 2013, she released a new memoir, Welcome to Your New Life, as well as a Quarterly Essay on Sex, Freedom and Misogyny; provided a libretto for Victorian Opera's new opera of The Magic Puddings; toured Australia with Seraphim Trio and as a soloist; toured Queensland with her stage adaptation of Piano Lessons; and directs the Port Fairy Spring Music Festival.Publications & Compositions Staff Directory Website
- Professor Mark Carroll (2011-)
Professor Mark Carroll
BiographyProfessor Mark Carroll is Associate Dean (International & Engagement) for the Faculty of Arts, University of Adelaide. An active classical and pop music performer, his research activities range from music and politics (Music and Ideology in Cold War Europe [Cambridge: CUP, 2003]) to Percy Grainger (Self-Portrait of Percy Grainger, with Malcolm Gillies and David Pear [New York: OUP, 2006) and studies in contemporary popular music. Mark is a noted authority on Jean-Paul Sartre’s literary and political uses of music, which have appeared in OUP’s flagship journal Music & Letters. Mark is series editor of the Ashgate Library of Essays on Music, Politics and Society (Farnham, Surrey: Ashgate, 2012).
Mark works closely with The Australian Ballet, and was Chief Investigator for a large Australian Research Council Linkage project that brought together the Elder Conservatorium, The Australian Ballet and the National Library, in order to trace the impact of tours to Australia by the Ballets Russes during the 1930s. More recently, Mark has secured ARC funding for Beyond the Stage Linkage project, which brings together the State Library of SA, Adelaide Symphony Orchestra, State Opera of South Australia, State Theatre Company and Adelaide Festival Centre, for the purpose of interrogating the impact of World War One on the South Australian performing arts.