ARTH 7023OL - Baroque: Art and Emotions

Online - Semester 2 - 2024

From the earthy naturalism and dramatic light effects of Caravaggio's paintings to the material opulence and glorious spectacle of Louis XIV's court at Versailles, Baroque art, architecture, and music offered new sensory experiences that aimed to stimulate and manipulate the emotions. The stylistic complexities of Baroque visual culture were not only an intrinsic manifestation of the continuing religious wars and other conflicts that complicated the Christian worldview and geopolitical map of early modern Europe but also created new networks of intellectual exchange. In this online course, we will investigate the myriad ways artists and patrons created private and public monuments and works of art that embodied the affective dynamism of the Baroque style from the fight against Protestant heresy during the Counter Reformation to the development of new genres of still life, landscape, and peasants. We will analyse diverse artistic innovations in Italy, France, Spain, Flanders, and the Dutch Republic in sacred and secular works by Gianlorenzo Bernini, Caravaggio, the Carracci brothers, Artemisia Gentileschi, Diego Velazquez, Francisco de Zurbaran, Jusepe de Ribera, Peter Paul Rubens, Rembrandt, Johannes Vermeer, Georges de la Tour, Nicolas Poussin and Claude Lorrain among other male and female artists. Topics will cover representations of gender and power, women and creativity, the body, anatomy, and physiognomy, the plague, death, and disease, innovations in portraiture, self-fabrication of cultural identities, and intersections between art and scientific discoveries of the natural world, including botany and entomology. Throughout the course, you will map the cultural reverberations of the Baroque ethos of the emotions within and beyond the creative practices and material culture of seventeenth-century Europe to encounter Neo-Baroque modes of literature, film, and popular entertainment today.

  • General Course Information
    Course Details
    Course Code ARTH 7023OL
    Course Baroque: Art and Emotions
    Coordinating Unit English, Creative Writing, and Film
    Term Semester 2
    Level Postgraduate Coursework
    Location/s Online
    Units 6
    Contact Up to 3 hours per week online
    Available for Study Abroad and Exchange Y
    Assessment Extended Label, Oral Presentation, Journal Article Review, Research essay
    Course Staff

    Course Coordinator: Dr Lisa Mansfield

    Course Timetable

    The full timetable of all activities for this course can be accessed from Course Planner.

  • Learning Outcomes
    Course Learning Outcomes
    1 Demonstrate knowledge and understanding of some of the major artists, monuments, and principal issues that characterise the origins of the Baroque style in reference to social, religious, and political developments within and beyond seventeenth-century Europe.
    2 Apply disciplinary specific vocabulary and appropriate digital research tools to identify, analyse, and interpret the visual qualities and material properties of diverse images and objects.
    3 Communicate ideas derived from scholarly sources in both oral and written forms of expression coherently and persuasively in both self-directed activities and collaborative online discussions to form an inclusive and respectful learning community.
    4 Develop insightful arguments and conclusions based on critical evaluation and synthesis of primary and secondary sources.
    5 Reflect on the affective dimensions of the visual arts and other modes of creativity related to Baroque art.
    6 Differentiate between art historical and curatorial modes of research and writing in professional contexts. 
    University Graduate Attributes

    This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

    University Graduate Attribute Course Learning Outcome(s)

    Attribute 1: Deep discipline knowledge and intellectual breadth

    Graduates have comprehensive knowledge and understanding of their subject area, the ability to engage with different traditions of thought, and the ability to apply their knowledge in practice including in multi-disciplinary or multi-professional contexts.

    1, 2, 3, 4, 6

    Attribute 2: Creative and critical thinking, and problem solving

    Graduates are effective problems-solvers, able to apply critical, creative and evidence-based thinking to conceive innovative responses to future challenges.

    2, 3, 4

    Attribute 3: Teamwork and communication skills

    Graduates convey ideas and information effectively to a range of audiences for a variety of purposes and contribute in a positive and collaborative manner to achieving common goals.

    1, 3, 4, 6

    Attribute 4: Professionalism and leadership readiness

    Graduates engage in professional behaviour and have the potential to be entrepreneurial and take leadership roles in their chosen occupations or careers and communities.

    1-6

    Attribute 5: Intercultural and ethical competency

    Graduates are responsible and effective global citizens whose personal values and practices are consistent with their roles as responsible members of society.

    1, 5, 6

    Attribute 7: Digital capabilities

    Graduates are well prepared for living, learning and working in a digital society.

    2, 3

    Attribute 8: Self-awareness and emotional intelligence

    Graduates are self-aware and reflective; they are flexible and resilient and have the capacity to accept and give constructive feedback; they act with integrity and take responsibility for their actions.

    1, 3, 4, 5, 6
  • Learning Resources
    Required Resources
    Prescribed readings related to weekly modules will be available on MyUni.
    Recommended Resources
    Bailey, Gauvin A. Baroque and Rococo. London; New York: Phaidon, 2012.

    Harris, Ann Sutherland. Seventeenth-Century Art and Architecture. Upper Saddle River: Pearson/Prentice Hall,
    2008.

    Hills, Helen. Rethinking the Baroque. Farnham: Ashgate, 2011.

    Zirpolo, Lilian. Historical Dictionary of Baroque Art and Architecture. Lanham: Rowman & Little, 2018. [eBook]
    Online Learning
    All course content and materials are provided online, with pre-recorded lectures, prescribed readings, self-directed learning activities, and assignment submission available in MyUni, complemented by Zoom tutorials.
  • Learning & Teaching Activities
    Learning & Teaching Modes
    This online course includes ten pre-recorded lectures (Echo 360), 12 hours of structured learning activities, six Zoom tutorials (2 hours duration), with 8 hours per week for prescribed readings, and 8 hours reserved for research and assignment preparation.
    Workload

    The information below is provided as a guide to assist students in engaging appropriately with the course requirements.

    Structured Learning 58 hours
    Self-Directed Learning 192 hours
    Assessment Tasks 50 hours
    TOTAL HOURS PER SEMESTER 300 hours
    Learning Activities Summary
    Week 1 What is the Baroque? Zoom tutorial
    Week 2 Art and Architecture in 17th-Century Italy
    Week 3 Art History Toolkit: Writing About Art Zoom workshop
    Week 4 Caravaggio
    Week 5 Artemisia Gentileschi Zoom tutorial 
    Week 6 Art and Architecture in 17th-Century Spain
    Week 7 Diego Velázquez Zoom tutorial
    Week 8 Art and Architecture in 17th-Century Spain and the Netherlands
    Week 9 Peter Paul Rubens Zoom tutorial
    Week 10 Frans Hals
    Week 11 Rembrandt  Zoom tutorial 
    Week 12 Global Baroque
    Specific Course Requirements
    N/A
  • Assessment

    The University's policy on Assessment for Coursework Programs is based on the following four principles:

    1. Assessment must encourage and reinforce learning.
    2. Assessment must enable robust and fair judgements about student performance.
    3. Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
    4. Assessment must maintain academic standards.

    Assessment Summary
    Assessment Task Task Type Due Weighting Learning Outcome
    Critical Review  Summative

    During semester

    20% 1, 3, 4, 5 
    Object Report  Formative and Summative  During semester 25% 1, 2, 5, 6 
    Presentation  Summative During semester 5% 1, 2, 3, 4
    Research Essay Formative and Summative End of semester 50% 1-6
    Assessment Related Requirements
    N/A
    Assessment Detail
    Assignment Description Word Count
    Critical Review Students will evaluate and synthesise three prescribed readings related to one of the weekly modules 1,000 words
    Object Report Students will be required to write a comparative object report on one Baroque work of art held in the collection of the Art Gallery of South Australia and one work of art held in an external museum or gallery online collection. 1,200 words
    Presentation Students will be required to deliver a short oral presentation on the works of art examined in the Object Report assignment in a Zoom tutorial or write two catalogue entries for publication on MyUni. 10 minutes (800 words)
    Research Essay Students will be required to research and write an essay, including a synopsis with thesis statement. 3,500 words 
    Submission
    Assignments must be submitted using Turnitin. Constructive feedback comments and marks for assignments will be provided with SpeedGrader.
    Course Grading

    Grades for your performance in this course will be awarded in accordance with the following scheme:

    M10 (Coursework Mark Scheme)
    Grade Mark Description
    FNS   Fail No Submission
    F 1-49 Fail
    P 50-64 Pass
    C 65-74 Credit
    D 75-84 Distinction
    HD 85-100 High Distinction
    CN   Continuing
    NFE   No Formal Examination
    RP   Result Pending

    Further details of the grades/results can be obtained from Examinations.

    Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

    Final results for this course will be made available through Access Adelaide.

  • Student Feedback

    The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

    SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.

  • Student Support
  • Policies & Guidelines
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