MUSPERF 7024 - Major Recital V

North Terrace Campus - Semester 1 - 2022

The aim of this course is to develop a program of works in the repertoire of the specialisation that contributes to the development of advanced specialist knowledge in music performance. It culminates in the presentation of a 50-minute public recital. The recital projects are supported by 1:1 tuition and performance classes. Repertoire may include solo works, chamber music, orchestral material, concerti, and accompaniment. Recital programs are subject to approval. The program of works is expected to demonstrate advanced performance with consistent confidence in technical presentation, demonstrate mastery beyond the knowledge of style, convince the audience of the vision of the work, and present a professional demeanour. The overall standard of the final recital is expected to be commensurate with entry level into the profession.

  • General Course Information
    Course Details
    Course Code MUSPERF 7024
    Course Major Recital V
    Coordinating Unit Elder Conservatorium of Music
    Term Semester 1
    Level Postgraduate Coursework
    Location/s North Terrace Campus
    Units 12
    Contact Up to 10 hours per week
    Available for Study Abroad and Exchange Y
    Assumed Knowledge Completed year 1 of a Masters of Music in the specialisation to be pursued or equivalent as determined by the Elder Conservatorium.
    Restrictions Available to PGCW Music students only
    Course Description The aim of this course is to develop a program of works in the repertoire of the specialisation that contributes to the development of advanced specialist knowledge in music performance. It culminates in the presentation of a 50-minute public recital. The recital projects are supported by 1:1 tuition and performance classes. Repertoire may include solo works, chamber music, orchestral material, concerti, and accompaniment. Recital programs are subject to approval. The program of works is expected to demonstrate advanced performance with consistent confidence in technical presentation, demonstrate mastery beyond the knowledge of style, convince the audience of the vision of the work, and present a professional demeanour. The overall standard of the final recital is expected to be commensurate with entry level into the profession.
    Course Staff

    Course Coordinator: Associate Professor Elizabeth Koch

    Associate Professor Elizabeth Koch AM
    Elder Building LG14
    83135343
    elizabeth.koch@adelaide.edu.au

    C
    oordinator of Honours/PGCW Performance Class Amanda Grigg
    amanda.grigg@adelaide.edu.au

    P
    lease make a meeting time with PGCW coordinator each semester to discuss progress and future goals
    Course Timetable

    The full timetable of all activities for this course can be accessed from Course Planner.

  • Learning Outcomes
    Course Learning Outcomes


    On successful completion of this course students will be able to:

    1. Demonstrate a comprehensive knowledge and understanding of all the elements comprising the musical specialisation concerned

    2. Exhibit a high level of musical self-awareness and critical judgement

    3. Show well-developed understanding of the professional musical world, its musical standards and the context in which the specialisation concerned operates

    4. Display reliability and flexibility in responding to a wide variety of musical challenges

    University Graduate Attributes

    This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

    University Graduate Attribute Course Learning Outcome(s)

    Attribute 1: Deep discipline knowledge and intellectual breadth

    Graduates have comprehensive knowledge and understanding of their subject area, the ability to engage with different traditions of thought, and the ability to apply their knowledge in practice including in multi-disciplinary or multi-professional contexts.

    1

    Attribute 2: Creative and critical thinking, and problem solving

    Graduates are effective problems-solvers, able to apply critical, creative and evidence-based thinking to conceive innovative responses to future challenges.

    2

    Attribute 3: Teamwork and communication skills

    Graduates convey ideas and information effectively to a range of audiences for a variety of purposes and contribute in a positive and collaborative manner to achieving common goals.

    3, 4

    Attribute 4: Professionalism and leadership readiness

    Graduates engage in professional behaviour and have the potential to be entrepreneurial and take leadership roles in their chosen occupations or careers and communities.

    3, 4

    Attribute 5: Intercultural and ethical competency

    Graduates are responsible and effective global citizens whose personal values and practices are consistent with their roles as responsible members of society.

    3

    Attribute 8: Self-awareness and emotional intelligence

    Graduates are self-aware and reflective; they are flexible and resilient and have the capacity to accept and give constructive feedback; they act with integrity and take responsibility for their actions.

    1, 2
  • Learning Resources
    Required Resources
    As appropriate for practical specialisation:

    1. Scores of repertoire prescribed by instrumental teacher (Elder Music Library houses an excellent collection of scores available for loan to students). Original copies of the music must be used for examinations.

    2. Technical workbooks as required by instrumental teacher for your specific instrument specialisation.

    3. Engagement of the services of a professional accompanist for lessons (where required), performance examinations and other performances.

    4. A good quality recording device to record practice and performances on a regular basis.

    5. Metronome, tuner, pencil & eraser, ear plugs - as needed
    Recommended Resources
    Regular listening to a variety of performances is recommended. Students can listen to works through the library's Naxos subscription (see library catalogue, search using Naxos as the title and limit search to ‘electronic resources’. You will be prompted to enter your uni ID number and password to access the Naxos catalogue). There is a wealth of material available for listening (but not downloading). The link to the Naxos catalogue is In the Music Resources Guide:
    http://libguides.adelaide.edu.au/music - you will find links to both Naxos and Naxos Jazz under “Quick Links” on the left side of the page.

    The Music Resources Guide contains quick links to key music databases for scholarly research and online listening. It also contains links to websites of publicly available online scores, collected editions, and professional associations. Here too you can find a regularly updated list of new books, scores, CDs and DVDs available in the Elder Music Library.
    http://libguides.adelaide.edu.au/music

    Music Online: Access to online music from library’s other Music Database (Music Online – incorporating Classical Music Library, Jazz Music Library, American Song, Contemporary World Music and Smithsonian Global Sound for Libraries) is now integrated in Library Search – just type the work you require into the general Library Search box and narrow down appropriately.

    Suiggested rReference Books
    In Pursuit of Excellence Terry Orlick (HKP)
    The Inner Game of Music Barry Green
    Mistakes Worth Making Susan Halden-Brown (HKP)
    The Unanswered Question: Six Talks at Harvard by Leonard Bernstein [OUP 1976]
    This is Your Brain on Music by Daniel Levitin [Atlantic Books 2007]eading:
    Online Learning
    PGCW information is on MyUni
  • Learning & Teaching Activities
    Learning & Teaching Modes
    Individual or small-group (maximum 4) supervisions form the central teaching and learning mode. Students pursue their performance project using instrumental practice to advance and finesse their goals. Individual/small group discussion encourages testing and sharing of musical theory and practice as students move towards a summative assessment in the form of a recital. Staff concerned have skills and knowledge in the specialist area being developed and are able to assist in the location and use of appropriate materials and scholarly and/or performance conventions and standards.

    Attendance at PGCW/Honours Performance Classes is compulsory. They are held on Tuesdays 11 - 1 in Elder Hall and the coordinator for these classes is Amanda Grigg. The dates and schedule will be posted on MyUni at the beginning of the semeser. You will be scheduled to performn during the semester.
    Workload

    The information below is provided as a guide to assist students in engaging appropriately with the course requirements.



    WORKLOAD                                                                                         TOTAL HOURS

    1 hour per week for 12 weeks individual/small group supervisions         12 hours per semester

    14 hours per week for 12 weeks practice                                            182 hours per semester
     
    4 hours per week for 12 weeks research/study                                   52hours per semester

    5 hours per week for 12 weeks rehearsals and forums                      65 hours per semester

                                                                                               Total = 312 hours per semester
    Learning Activities Summary
    Learning activities centre around weekly individual/small group lessons. These accommodate the learning styles of participants while encouraging a developmental curve in skills acquisition and knowledge based understandings. Performance forums underpin gains in stage presentation and musical projection.

    Students are expected to maintain 100% attendance at one to one lessons. See below for penalties.

    Lessons should not be scheduled at times that conflict with any other required classes.

    At each lesson, both the staff member and the student must sign the roll sheet, indicating the date and length of the lesson.

    Should a student be absent without notice, the roll sheet must be signed by the staff member with an appropriate comment. The Head of Studies should be notified (preferably by email) within 48 hours. The teacher will be under no obligation to make up this lesson.

    Where either the teacher or the student is unable to attend at a previously arranged time, at least 24 hours’ notice must be given and an alternative time negotiated.

    PGCW students may need to be available outside the formally designated teaching weeks in order to accommodate the full quota of lessons.

    Students are expected to research the background of the composer and pieces being studied.
    Specific Course Requirements
    Students may need to regularly book practice facilities in order to meet the requirements of this course.

    Depending on practical specialisation, some students will need to engage the services of a professional accompanist for lessons, performances and examinations. Consult with your individual teacher or see the accompanist list available from the Music Office.
  • Assessment

    The University's policy on Assessment for Coursework Programs is based on the following four principles:

    1. Assessment must encourage and reinforce learning.
    2. Assessment must enable robust and fair judgements about student performance.
    3. Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
    4. Assessment must maintain academic standards.

    Assessment Summary



    Assessment Task 1
    50 minute recital (hurdle requirement)
    Weighting 80%
    Course Learning Objectives 1,2,3,

    Assessment Task 2
    Weighting 20%
    Formative and Summative
    Course Learning Outcomes 1,2,3,4
    Development of a professional portfolio.

    Portfolio to include a journal of activities and self criticisms  from attendance and participation at postgraduate performance classes, observation of technique and repertoire classes in the students’ specialisation, other performance activities or participation in orchestral activities.
    To be submitted no later than June11th

    Check MyUni for additional information

    Assessment Related Requirements
    The 50 minute recital is a hurdle requirement.
    100% attendance is required for all supervisions, forums and ensembles.
    Program notes of 600 - 700 words are required and must be submitted to the exam panel.
    Assessment Detail
    The Major Recital is the core component, providing a focus for their studies in professional performance skills leading to outcomes in their own realisation of musical works. 

    50 minutes of approved repertoire

    Program notes are required for recitals. Notes should be prepared for each work performed and should demonstrate careful research and independent thought. Plagiarism must be avoided and quoted sources should be acknowledged. The quality of program notes will be taken into account by the examiners and may influence the final result for the recital. They will be assessed as excellent, satisfactory, or unsatisfactory, and increase or reduce the overall marks by a margin of up to 5%.
    Submission
    Program notes to be submitted to the examination panel at your examination
    Course Grading

    Grades for your performance in this course will be awarded in accordance with the following scheme:

    M10 (Coursework Mark Scheme)
    Grade Mark Description
    FNS   Fail No Submission
    F 1-49 Fail
    P 50-64 Pass
    C 65-74 Credit
    D 75-84 Distinction
    HD 85-100 High Distinction
    CN   Continuing
    NFE   No Formal Examination
    RP   Result Pending

    Further details of the grades/results can be obtained from Examinations.

    Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

    Final results for this course will be made available through Access Adelaide.

  • Student Feedback

    The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

    SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.

    Previous feedback not available
  • Student Support
  • Policies & Guidelines
  • Fraud Awareness

    Students are reminded that in order to maintain the academic integrity of all programs and courses, the university has a zero-tolerance approach to students offering money or significant value goods or services to any staff member who is involved in their teaching or assessment. Students offering lecturers or tutors or professional staff anything more than a small token of appreciation is totally unacceptable, in any circumstances. Staff members are obliged to report all such incidents to their supervisor/manager, who will refer them for action under the university's student’s disciplinary procedures.

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