MUSPERF 7021 - Minor Recital IV

North Terrace Campus - Semester 1 - 2022

The aim of this course is to develop a program of works in the repertoire of the specialisation that contributes to the development of advanced specialist knowledge in music performance. It culminates in the presentation of a 25-minute public recital. The recital is supported by 1:1 tuition and supporting classes. Repertoire may include solo works, chamber music, orchestral material, concerti, and accompaniment. Recital programs are subject to approval. Performance in regular ensemble activity is recommend as directed by the coordinator. Work in all these areas forms a preparatory path towards a Minor (25? min) recital at the end of the semester comprising a program of music demonstrating appropriate achievement in stylistic, artistic and technical areas of performance. Development of a professional portfolio is required. Attendance and participation at performance classes or orchestral activities is required as directed by the coordinator.

  • General Course Information
    Course Details
    Course Code MUSPERF 7021
    Course Minor Recital IV
    Coordinating Unit Elder Conservatorium of Music
    Term Semester 1
    Level Postgraduate Coursework
    Location/s North Terrace Campus
    Units 6
    Contact Up to 3 hours per week
    Available for Study Abroad and Exchange Y
    Prerequisites Successful completion of Bachelor of Music or another relevant undergraduate degree
    Incompatible PERF 6015A/B
    Restrictions Available to GDipMus(Perf) students only
    Course Description The aim of this course is to develop a program of works in the repertoire of the specialisation that contributes to the development of advanced specialist knowledge in music performance. It culminates in the presentation of a 25-minute public recital. The recital is supported by 1:1 tuition and supporting classes. Repertoire may include solo works, chamber music, orchestral material, concerti, and accompaniment. Recital programs are subject to approval.
    Performance in regular ensemble activity is recommend as directed by the coordinator.
    Work in all these areas forms a preparatory path towards a Minor (25? min) recital at the end of the semester comprising a program of music demonstrating appropriate achievement in stylistic, artistic and technical areas of performance. Development of a professional portfolio is required. Attendance and participation at performance classes or orchestral activities is required as directed by the coordinator.
    Course Staff

    Course Coordinator: Associate Professor Elizabeth Koch

    Associate Professor Elizabeth Koch AM
    LG14 Elder Hall Building
    +61 83135343
    elizabeth.koch@adelaide.edu.au

    C
    oordinator of Honours/PGCW Performance Class
    Amanda Grigg
    +61 83133666
    amanda.grigg@adelaide.edu.au

    Please make a meeting time with the coordinator each semester to discuss progress and ideas for future goals.

    Course Timetable

    The full timetable of all activities for this course can be accessed from Course Planner.

    Attendance at Honours/PGCW Performance class is compuslory.
    The classes are held on Tuesdays 11 to 1 in Elder Hall. Dates will be available at the beginning of the semester from Honours coordinator Amanda Grigg. Students will be scheduled to perform during the semester and expected to attend all classes.

    An accompanist will be available.
  • Learning Outcomes
    Course Learning Outcomes
    On successful completion of this course students will be able to:

    1. Demonstrate a comprehensive knowledge and understanding of all the elements comprising the musical specialisation concerned

    2. Exhibit a high level of musical self-awareness and critical judgement

    3. Show well-developed understanding of the professional musical world, its musical standards and the context in which the specialisation concerned operates

    4. Display reliability and flexibility in responding to a wide variety of musical challenges
    University Graduate Attributes

    This course will provide students with an opportunity to develop the Graduate Attribute(s) specified below:

    University Graduate Attribute Course Learning Outcome(s)

    Attribute 1: Deep discipline knowledge and intellectual breadth

    Graduates have comprehensive knowledge and understanding of their subject area, the ability to engage with different traditions of thought, and the ability to apply their knowledge in practice including in multi-disciplinary or multi-professional contexts.

    1,2

    Attribute 2: Creative and critical thinking, and problem solving

    Graduates are effective problems-solvers, able to apply critical, creative and evidence-based thinking to conceive innovative responses to future challenges.

    1,2,3

    Attribute 3: Teamwork and communication skills

    Graduates convey ideas and information effectively to a range of audiences for a variety of purposes and contribute in a positive and collaborative manner to achieving common goals.

    3

    Attribute 4: Professionalism and leadership readiness

    Graduates engage in professional behaviour and have the potential to be entrepreneurial and take leadership roles in their chosen occupations or careers and communities.

    3,4

    Attribute 5: Intercultural and ethical competency

    Graduates are responsible and effective global citizens whose personal values and practices are consistent with their roles as responsible members of society.

    3

    Attribute 8: Self-awareness and emotional intelligence

    Graduates are self-aware and reflective; they are flexible and resilient and have the capacity to accept and give constructive feedback; they act with integrity and take responsibility for their actions.

    4
  • Learning Resources
    Required Resources

    Scores for all repertoire and a suitable recording device to self assess performances and weekly performance preogress.

    As appropriate for practical specialisation:

    1. Scores of repertoire prescribed by instrumental teacher (Elder Music Library houses an excellent collection of scores available for loan to students). Original copies of the music must be used for examinations.

    2. Technical workbooks as required by instrumental teacher for your specific instrument specialisation.

    3. Engagement of the services of a professional accompanist for lessons (where required), performance examinations and other performances.

    4. A good quality recording device to record practice and performances on a regular basis.

    5. Metronome, tuner, pencil & eraser, ear plugs - as needed
    Recommended Resources
    • Regular listening to a variety of performances is recommended. Students can listen to works through the library's Naxos subscription (see library catalogue, search using Naxos as the title and limit search to ‘electronic resources’. You will be prompted to enter your uni ID number and password to access the Naxos catalogue). There is a wealth of material available for listening (but not downloading). The link to the Naxos catalogue is In the Music Resources Guide:
    • http://libguides.adelaide.edu.au/music - you will find links to both Naxos and Naxos Jazz under “Quick Links” on the left side of the page.
    • The Music Resources Guide contains quick links to key music databases for scholarly research and online listening. It also contains links to websites of publicly available online scores, collected editions, and professional associations. Here too you can find a regularly updated list of new books, scores, CDs and DVDs available in the Elder Music Library.
    • http://libguides.adelaide.edu.au/music
    • Music Online: Access to online music from library’s other Music Database (Music Online – incorporating Classical Music Library, Jazz Music Library, American Song, Contemporary World Music and Smithsonian Global Sound for Libraries) is now integrated in Library Search – just type the work you require into the general Library Search box and narrow down appropriately
    Suggested reading:
    Reference Books
    In Pursuit of Excellence Terry Orlick (HKP)
    The Inner Game of Music Barry Green
    Mistakes Worth Making Susan Halden-Brown (HKP)
    The Unanswered Question: Six Talks at Harvard by Leonard Bernstein [OUP 1976]
    This is Your Brain on Music by Daniel Levitin [Atlantic Books 2007]
    Online Learning
    Resources and announcements may be posted on MyUni
  • Learning & Teaching Activities
    Learning & Teaching Modes
    Individual tuition lies at the core of developing advanced performing skills. The instrumental teacher monitors each student's progress, diagnoses technical problems and suggests strategies for independent practice. The Technique and Repertoire class is managed by the relevant Head of Study and focuses on relevant technical and musical issues pertaining to the family of instruments. The Performance Class provides performance opportunities for each student. As part of each student's engagement with their peers, students are expected to make critical comments about performances of peers in Honours/PGCW performance classes, as well as about their own performances. Students are alaso expected to maintaina written journal.

    Students will be advised by their teacher repertoire to be studied, and of the topics to be included as relevant for the various specialisations.

    Lessons should not be scheduled at times that conflict with any other required classes.

    At each lesson, both the staff member and the student must sign the roll sheet, indicating the date and length of the lesson.

    Should a student be absent without notice, the roll sheet must be signed by the staff member with an appropriate comment. The Head of Studies should be notified (preferably by email) within 48 hours. The teacher will be under no obligation to make up this lesson.

    Where either the teacher or the student is unable to attend at a previously arranged time, at least 24 hours notice must be given and an alternative time negotiated.

    PGCW students may need to be available outside the formally designated teaching weeks in order to accommodate the full quota of lessons.

    Students are expected to research the background of the composer and pieces being studied.

    Independent Practice
    Students prepare and practise all repertoire, technical exercises and other material assigned by their instrumental teacher for at least three hours per day.
    Workload

    The information below is provided as a guide to assist students in engaging appropriately with the course requirements.


    WORKLOAD
    1 hour per week for 12 weeks individual/small group supervisions 12 hours per semester

    14 hours per week for 12 weeks practice 182 hours per semester

    4 hours per week for 12 weeks research/study 52 hours per semester

    5 hours per week for 12 weeks rehearsals and performance classes 65 hours per semester

    Total = 312 hours per semester


    Learning Activities Summary
    A developmental curve in performance skills is expected through the agency of individual practice under direction received from the student’s individual teacher in one-to-one teaching mode. Ensemble performance and rehearsal under supervision is designed to achieve a similar result in this aspect of performance. Performance classes are designed to encourage effective public performance and provide regular feedback from peers and staff following students’ performances. Students’ critical faculties are also developed as they audit other performances in Forums.
    Specific Course Requirements
    Depending on practical specialisations, some students will need to enagage the services of a professional accompanist for lessons, performances and examinations. Consult with your individual teacher.
  • Assessment

    The University's policy on Assessment for Coursework Programs is based on the following four principles:

    1. Assessment must encourage and reinforce learning.
    2. Assessment must enable robust and fair judgements about student performance.
    3. Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
    4. Assessment must maintain academic standards.

    Assessment Summary
    Assessment Task 1

    25 minute recital
    Weighting 80%
    Program notes of 600 - 700 words
    Task type Summative
    Course Learning Outocmes 1,2,3,4

    Assessment Task 2

    Development of a professional portfolio to include:

    Attendance and participation at postgraduate performance classes, observation of technique and repertoire classes in the students’ specialisation or participation in orchestral activities and development of a curriculum vitae and biographical details
    Weighting 20%
    Formative and Summative
    Course Learning Outcomes 1,2,3,4
    To be submitted no later than June 18th 2021

    Check MyUni for further infomation

     

    Assessment Related Requirements
    Recital Program Notes 
    For a 25 minute recital program notes are expected to be 2 pages comprising approximately 600 -700 words.
    Program notes are to be submitted to the PGCW Coordinator by the end of the week before the exam period. Copies must be given to the exam panel along with scores of all repertoire.
    Professional Portfolio/journal development to include:
    short and long biographies
    Curriculum vitae
    Journal entries of all activities undertaken during the semester.


    Further details from coordinator




    Assessment Detail
    25 minute recital 
    80%
    Summative
    Learning objectives 1,2,3,4
    Program notes to be submitted to the examination panel

    Professional portfolio/journal
    20%
    Formative and summative
    Learning objectives 1,2,3,4
    Submission
    Program notes to be submitted to the examination panel 
    Course Grading

    Grades for your performance in this course will be awarded in accordance with the following scheme:

    M10 (Coursework Mark Scheme)
    Grade Mark Description
    FNS   Fail No Submission
    F 1-49 Fail
    P 50-64 Pass
    C 65-74 Credit
    D 75-84 Distinction
    HD 85-100 High Distinction
    CN   Continuing
    NFE   No Formal Examination
    RP   Result Pending

    Further details of the grades/results can be obtained from Examinations.

    Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs.

    Final results for this course will be made available through Access Adelaide.

  • Student Feedback

    The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews.

    SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available.

    Not available
  • Student Support
  • Policies & Guidelines
  • Fraud Awareness

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